6.11.2013

Ratz Revenge







Yuck Ratz new EP is one of those instant masterpieces that burns so pristinely perfect that halfway through the second song your ear canals start dripping rocket fuel.
A follow up to their earlier 2013 release "YR" which was in itself an instant fucking masterpiece. "Plutarch on the Moon" moves the band a modest & magnificent step in the direction of elevation and evolution & simultaneously mines it's members of every drop of talent.

The Yuck Ratz rhythm section are in top form on the EP. The bass work is astoundingly excellent, curving in and out of the tracks like a souped, up Satanic serpent. The drummer pounds through with Bonham-esque steepness and depth-charging along brigade style with jazz tones and raw power. The guitar is as close to Verlaine without going over and relishes it's fuzz-kink, pseudo emo-funk rhythms all the while showing restraint.
The vocals feel pasted on but not as a criticism-pasted on like an art project that begs to be examined and interpreted. The lyrics less important than the haunting melodies and expressive phrasing.

The Yuck Ratz have really done something special by creating Kansas City's 2013 Art-Rock masterpiece.

"Plutarch on the Moon" is easily one of the top five best releases to come out of KC in 2013. It's songs are masterfully written and performed.
This EP coupled with their earlier full-length album (a damn near perfect release) truly makes 2013; the year of the ratz.

-Lucy McPherson

6.02.2013

Best Thing About Monday (On Sunday)

by William Chaffin


We know we missed last week. We will skip the excuses regardless of the validity of the argument. Here’s last week and this week rolled into one and coming to you twenty four hours early!


“Portraits” by Soft Lighting 






A surplus of 80’s Miami Vice vibe-ing & left-over, morning-after, disco haze collide in an attempt to remake the soundtrack to a re-imagined “Bright Lights Big City” directed by Nicolas Winding Refn & starring Willem Defoe sculpted in hair gel.

It’s dark, sexual, deliciously playful & subversively painful.



http://softlighting.bandcamp.com/album/portraits







“Overdosed Pt. 2” by Sir Adams 






The new track by Sir Adams is a gothic and surreal journey into the hip-hop macabre. It’s intensely dark and full of guts. A short journey into what appears to be an inevitable, hip hop concept album steeped in gothic imagery and sonic weirdness. Adams is best in this zone; thinking outside the box & preying on the dark side of the human brain.



https://soundcloud.com/siradams







5.25.2013

Flirting with Resurrection: A Review of Sneaky Creeps' "Bell St. Radio"





You're pointing your dim headlights in the wrong direction. The heavy sigh of fullness is a perfunctory fuck. Which twist of the knife cuts the sweet and which cuts the sour?
You don't know. You never knew. You pretended to know & now even the memory of pretending is a shadow.
But the shadow is in the honesty & the bustling, ballyhoo of blasphemy.

•A fronte praeciptium a tergo lupi•

And suddenly a record comes out of nowhere. Raw and unrefined. Something that evokes the fucking smell of hot tubes on an ancient stereo or the dirt that settles in creases of the neck of that tanning beauty sitting by the inflatable pool.

There is a considerable difference between "garage" as a means of marketing to the indie crowd and actual music coming from a garage.
This record feels real. I can visualize the rehearsal/recording space. Half consumed, cheap beer cans that one can safely assume have snuffed cigarette butts swirling in them....wood panel walls...half torn blacklight, skull posters...

"Belle St. Radio" is raw. It's rock and roll returning spiritually to that place that it was meant to be-in the corner of the disenfranchised. The loner with a goddamned heart of gold & a gnawing ache for justice by way of righteous, true-indie music. It's a slow burn...an album that may not digest fantastically on the first listen but by the end of the third you'll be singing it's praises and writing 'Sneaky Creeps' on your old Converse with a Sharpie marker.

Imagine a band whose members were raised from birth on Jawbox, Fugazi, Joy Division & Ween. Maybe a little Posies...
It's raw and truly righteous.
A match in a room full of dynamite.

Put on your headphones & embrace the angst. Look across the sky and let the fuzz permeate your spinal fluid & send that feeling across your nervous system.

Because in a sea of sunsets-records like this are few and far between. Enjoy them. They may not be perfect but you know what's more important than slick-assed production or commercial viability?

Flirting with resurrection.

-William Chaffin


Check out "Bell St. Radio" here:
http://sneakycreeps.bandcamp.com/album/bell-st-radio

5.24.2013

An Interview with Crushproof Studios

by Paul James

























I sat down (via email of course) with Ace Fadal & Blaxel Rose of the Crushproof Studios crew to get their take on the Kansas City hip-hop scene and their newly released album, Around The Way. Previously unfamiliar with the duo, I quickly learned that these local artists are even more interesting than their monikers.





Tell me about Crushproof Studios. What artists are involved?

Ace Fadal: Crushproof Studio was started back in 2003 by myself and my best friend Brendon O'Neal (DJ Heironymous Crotch). As the Bogmen, we would spin records at house parties and bars. We started KinesthetiC Records and formed CrushProof Studio as a way to get shows booked. It has evolved into audio/visual production, artist promotion, and will eventually be a publishing label.


CrushProof Studio as a unit is:
Ace Fadal - Founder and creator, Manager, Producer, Beat Maker, Promotion, Back up singer
Blaxel Rose - Emcee, Songwriter, media, audio/visual recording, web design.
Tracey Hillman - Female Vocalist, songwriter
Natural E - Female Vocalist, Emcee, songwriter
Maestro - Emcee, Producer
Brendon O'Neal - Co-Founder, Editor


Honorary Members:
Headfella - Emcee
Anna Cole - Female Vocalist
Les Izmore - Emcee
Matt Epstein - Guitar and Bass (dope stems)
Dustin Mott - Percussionist



Let's talk about "Around The Way". The beats seems to stand out to me. Who did the beat production? Where do you record?


Ace Fadal: Thank you. I produced all of the beats, but there were certain songs that Blaxel Rose chose and asked me to sample. After I showed him how I chopped up the beat, that is how we would decide the basic theme of the track. Alot of the production was music I was sitting on for about 5-6 years.


We record at my house (CrushProof Studio Lab). I make all of my beats using Ableton Live, A M-Audio Trigger Finger and an M-Audio Axiom 49 Key. We record everything in Ableton Live. I love that program!




Name a few artists that inspire your music.

Blaxel Rose:
Nas, DOOM, Slick Rick, Rakim, Ghostface. Thats who we listen to the most.


Ace Fadal:
We both listen to all genres of music. Im the biggest Wu-Tang fan in Kansas City. I would be lying if I dint say that this album has a heavy influence of say Biz Markie meets Odd Future. We had a specific idea in mind when we were arranging the album. We even cut some tracks from the album that didnt fit the concept.



What things inspire you when you're writing lyrics?

Blax: Life stories, my fam, what the world shows me when I travel (good and bad), and sometimes I just wanna have some fun and get loose on a track.



Do you write lyrics quickly or take time to analyze and think them through? Do you ever write lyrics for each other or share lyrics?
Blax: I write pretty quickly but sometimes if I wanna really get a point across I'll re-write it a couple times to make sure it feels right. Ace helps me out a hell of a lot when I get stuck. His production and direction can make a song really pop off. He actually introduced me to Wu and skating when I was younger. When I moved back from Vegas, we linked up not knowing that we each made music.


Ace: That is what was really important to me. There are alot of rappers that have great flow, but they have no lyrical content. If you listen to "Beans & Fat Back" it has a message, but its still fun.



What's your favorite track or tracks on "Around The Way" and why?
Blax: Space Jam is my fav. lol. It's got layer upon layer of nerdery that works well with a trife lifestyle at the same time (and it makes us laugh).


Ace: My favorite Track is Blak Sincere. Witty story telling with a gritty conclusion. If you think about it, Its like watching an episode of the Hill Street Blues or 21 Jump street, the one with Johnny Depp.



I'm a big fan of Space Jam. What inspired this particular track?
Blax: Growing up in the 80's. Seeing crappy low budget futuristic movies around that time that you can't help but love. Krull, Flash Gordon, Escape from New York, Cyborg... lol. Star Wars is legit but I just had to dig into that story (too epic). That track is about a futuristic merc that's a cross between "Dog the Bounty Hunter," and "Boba Fett." Somehow, it works...


Ace: That was one particular track that Blaxel sent me and told me to chop up. There are alot of songs like that he just knew I would smash up. The song made itself.



What are your plans for the album? For the future? Any live performances coming up?
Ace: We want to do some videos, we hope to tour. We want to polish our live performance first. See understand we have been sitting on this project for about 2 years and were originally going to call it "One, 2, Won Too" and release it on New Years Day in 2012, but we just got too busy to finish. We have talked about a live band or maybe just going on the road. Blaxel has connects in Cali and Arizona. We have already been invited to Vegas by Phil A., but who knows.



Do you play shows often? Do you find it difficult to find places or events to perform at in KC? How are the KC crowds?
Ace: I know a few people that promote events and book shows. For the most part if I want to "perform" I can just ask. It does depend on what part of town that you are in and most times its who you know. Whats really good though is that there have been a few movements begin in Kansas City, that are putting everyone "serious" about their craft on. Anarchy Movement and Shameless Management are 2 promotion teams that I would keep an eye out for. They are really just trying to promote local talent.


The crowds are just like the weather in Kansas City. It can be nice and sunny, 75* one day and 34* and ice cold the next. But I love my city. It really is about location. I have been at bad venues and have seen good shows, I have been at great venues and seen some bad shows. I know that when ever I would play "Space Jam", people would really dig that track. That was encouragement.



Let's talk Kansas City hiphop for a moment..... What do you think of the scene in KC?
Ace: I personally feel like the scene needs a little more cohesiveness among peers and show promoters. Its frustrating to only be able to attend a Hip Hop show on a Monday or Wednesday night, when people have jobs, you know what Im saying. So its hard for people to come out. The worse is when there are 3 different Hip Hop shows at 3 different venues, at the same time. I dont mind paying a cover, but talk to other promoters see what they are scheduling..... I mean even mob bosses have meetings with each other, lol.


But on a positive note, I will say, If you follow the scene, you can see that it is starting to change. People seem to be communicating about booking shows and I know they don't control the calendar at the venues. Something else really good is that there is so much talent coming out of KC right now and people are wanting to try new experimental stuff. The scene is alive!



With so many sample heavy beats used in hiphop today, do you think the beats have evolved much over the years? Why or why not?
Ace: Easy access to music programs make music evolve. You can literally record an idea on a smart phone and upload it to soundcloud, come back and work on it later. Thats been a game changer. In KC, everyone one knows everyone, so its not hard to hook up with a band or know someone doing different music than you do, and want to link. I dont think enough producers are purest, Im not. I sample rare 45 records from youtube. I like the idea of emcees using live bands to perform their music. I just put soul into my 16 pads.



Likewise, what do you think of female rappers? Do they have a more difficult time breaking out a female?

Ace: There are alot of female artist who do not get the props that they deserve. I would love to hear more from Nina Dot Ross, Ne'Kol Kris (now in Cali). But Im looking for a female emcee to add to the team. I hope to do work with a Female Emcee named "Stitch" shes real dope.



Let me think of the most cliche question I can ask you. Um.. If you could do a song with any rapper alive or dead, who would it be?


Blax: Marvin Gaye and Ace Fadal

Ace: This was fun! Thank you!




I'm not sure Marvin counts as a rapper, but that would certainly be an interesting collaboration. My favorite thing about
these two is how "down-to-Earth" they are. Not a lot of fronting here. Not a lot of hype. Just good rhymes over cool beats.
Ace and Blaxel are just getting started. If Around The Way is any indication of where they're headed, you'll want to keep an
eye on this Kansas City team.




- Paul James
@AuthorPaulJames

5.20.2013

Best Thing About Monday: Kill Your TV Summer Showcase Artists


You need more than one song today. This Monday you need an arsenal of songs. The coffee is lukewarm and the cooling fan on that old PC buzzes a grinding, pre-evolutionary, dub-step drone. Who the fuck invented florescent lights? What sadistic bastard thunk them?

The boss comes in late and winces when he sees the vinyl bumper sticker of a local band on your desk usually reserved for pictures of family or pets in heart-shaped, photo frames. You roll your eyes into the back of your head and try to force a self-induced hypnosis. This coffee is your family. This job is your prison. These songs are your freedom.

Happy Fucking Monday.

Slum Party
"Surprise"
http://slumparty.bandcamp.com/track/surprise

Grenadina
"Nice Girls Finish Last"
http://grenadina.bandcamp.com/track/nice-girls-finish-last

Man Bear
"A Girl I Once Knew"
http://manbear.bandcamp.com/track/a-girl-i-once-knew

Deco Auto
"I Shouldn't Know"
http://decoautokc.bandcamp.com/track/i-shouldnt-know

Jed Baird
"Drinking Song"
http://josiahbaird.com/track/drinkin-song

Ddean Cassidy
"Poser Anthem"
http://ddeancassidy.bandcamp.com/track/poser-anthem

Merriweather
"Lightbulb Suicide"
http://ddeancassidy.bandcamp.com/track/lightbulb-suicide

Kitten Tits
"Fool Me Twice"
http://kittentits.bandcamp.com/track/fool-me-twice

These are the artists that will be performing on June 15 at Club 906 in Liberty, MO.
It's a free show. It's all ages.
Download their albums. Become their number one fan now. Come to the show and sing along.

5.19.2013

Kill Your TV KC Summer Showcase!

We are very proud to present our Summer Showcase at Club 906 with the help of Marauder PR.
It's a free, all ages show!







Here are links to all the amazing musicians that will be performing:
















Cassidy, Merriweather & Tits
(ddean cassidy, Merriweather & Kitten Tits)
http://ddeancassidy.bandcamp.com
http://merriweather.bandcamp.com
http://kittentits.bandcamp.com


See You There!

5.17.2013

Stiff Competition: An Interview with Stiff Knight & The Hard Ensemble

The Kansas City music scene's most eccentric and jangle driven rock album of 2013 is a work in progress (Stiff Knight has stated more songs will be added in the coming weeks) "Hard Times Come & Go" is a devastating & beautiful piece of chooglin fuckery that feels like your subconscious is trying to have intercourse with a Jackson Pollock painting while tied to the back of a polar bear & chewing on a licorice rope. Even before its official completion Kill Your TV went on record & called it "one of the best of 2013"



William Chaffin sent questions to Stiff Knight via email about the album and their plans for the remaining half of the year.

1. "Hard Times Come & Go" is one of the most interesting releases to come out of Kansas City in a long time-what can you tell me about the songwriting process? How much of your music is done through improvisation (if any)?


While Perry and Nick are both somewhat prolific songwriters, most of the band's material does start as improvised jams. We tend to start by jamming around on a chord progression and build from there. If we feel like we have something good going, someone sort of adopts it and finishes out the lyrics. But we don't have any formula for songwriting and we always keep our arrangements pretty loose.


2. "Sugar Skulls" is an intense, filthy, psychedelic, bedroom-blues jam...it has a very Captain Beefheart & Howlin Wolf & Ween..
Tell us some of the records that influenced you.


Those 3 artists for sure. Frank Zappa, The Velvet Underground, Devo, The Monks, Wilmoth Houdini, Slim Harpo, Tom Waits, Harry Partch, Charley Patton, The Mummies, James Brown, Hella, Gil Scott Heron, King Khan, Tool, The Art Ensemble of Chicago, Fiery Furnaces, Alton Ellis, Mike Ladd, Yoko Ono, Devendra Banhart, Screamin' Jay Hawkins, The Pixies, Black Sabbath, Charlie Poole, Delroy Wilson, Julia Lee, Animal Collective, Fela Kuti, Olivia Tremor Control...We are all over the place. We just fucking love music, damnit.


3. After a few listens I started feeling like maybe there was a storyline...a concept to the album-Is there any truth to this theory or am I grasping?


We weren't really trying for that exactly, it just seems like a lot of our material in general deals with either child-like fantasies or stylized adult realities, and so as an album maybe it naturally feels like a sort of comment on the interplay between these two themes? But if you felt there was a storyline, you may know better than us.


4. Stiff Knight according to your Bandcamp bio is a collab-is this correct? Tell is about your members-what other projects are they coming from?


Nick (bass) has a home studio recording project called "Wire and String," you can find those recordings here http://wireandstring.bandcamp.com we actually played our first couple gigs under that name. Perry (guitar) had been playing with John from Mosquito Bandito under the name "Stiff Knights" and "Stiff Knight" was the assumed name of Perry's projects for the last 2 years. Most of the recordings here https://soundcloud.com/stiffknight are him playing all the instruments. Tommy (drums) has been in a couple bands before also, but we don't have any links for his old stuff.



5. What is a Stiff Knight live show like? I imagine some weird conceptual cosplay music orgy-am I close?


Well, we aren't dressing up for a comic book convention, and we aren't like KISS or GWAR or the Flaming Lips or anything so elaborate as that. We have been moving towards a more eclectic show/spectacle, but at the same time we don't want it to slow things down or hurt our play. Katie Grimes, who plays french horn, slide whistle, ukulele etc with the band, is also a talented artist and costume maker. So we try to include some of her work where we can. Mostly we just try to keep it fun for the audience.


6. "30 Days From Receiving this Notice" is one of my favorite tracks on the album-tell me a little bit about the challenge of making an over 11 minute track.


Honestly, it was mostly taken directly from a jam. It was one-off. Nick had a strange effect going that doubled a squeaky-toy like sound on top of his bass line, the whole thing was just a jam to see what we could do on top of that effect. An exercise in exploration, if you will. A few post-production overdubs just to keep the textures changing and the pace moving and it was finished. We try and record most of our rehearsals just in case something awesome happens. And sometimes it does. Sometimes we're just weirdos. We're ok with that.


7. Any KC bands you are enjoying at the moment?


Mosquito Bandito, Sneaky Creeps, Nature Boys, The Conquerors, Witch & Hare, Butt (actually St. Louis), Tiny Horse, The Hearts of Darkness, Snuff Jazz, The People's Liberation Big Band, Amy Farrand, all the regulars at Rural Grit Happy Hour...


8. What's next for Stiff Knight? Playing any shows?


-We recently had our song "We Are Manatees" included in local art zine The Bohemian's "No Coast Compilation" companion CD to their most recent issue. As far as I know there are a few copies still available.
-We are playing The Middle East House, 59th and Spruce, May 17th with Wet Nurse, Wayne Payne and the Shit Stains and the Sneaky Creeps.
-We are playing the Jackpot May 20th with Dr Devito and Ask an Adult. Dr Devito is a pretty cool band, so make the trek to Larry-town, it should be a good show.
-We have a charity fund raiser show/Peruvian roast to benefit The Clubhouse art gallery on May 25th, interested parties should RSVP here:
https://www.facebook.com/events/255194594624842/
So yeah, come out and see us, we have a busy couple of weeks coming up.


9. Any words of wisdom for our readers or closing remarks?


Don't smoke crack. But if you do, then you better stick to it for at least 8 years. And stay in school. Or drop out, especially if you're in college, that shit is a racket. And never accept a wooden nickle. Unless it has a drink special on it. Oh, and thanks for listening.